Hardcover: 320 pages
Publisher: Liveright; 1 edition (July 7, 2014)
Language: English
ISBN-10: 0871402831
ISBN-13: 978-0871402837
Product Dimensions: 4.9 x 1.1 x 7.6 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review: 4.7 out of 5 stars See all reviews (10 customer reviews)
Best Sellers Rank: #1,130,923 in Books (See Top 100 in Books) #115 in Books > Arts & Photography > Photography & Video > Individual Photographers > Essays #374 in Books > Arts & Photography > Photography & Video > Criticism & Essays #457 in Books > Science & Math > Biological Sciences > Biology > Marine Biology
"Now for the R! Up we go! Attach! Descend! Pay out the line! Whoa! Attach! Good! Up you go! Repeat! Attach! Descend! Pay out line. Whoa, girl! Steady now! Attach! Climb! Attach! Over to the right! Pay out line! Attach! Now right and down and swing that loop and around and around! Now in to the left! Attach! Climb! Repeat! O.K.! Easy, keep those lines together! Now, then, out and down for the leg of the R! Pay out line! Whoa! Attach! Ascend! Repeat! Good girl!"That's Charlotte in E. B. White's Charlotte's Web narrating her acrobatic writing process. You can almost see the little gray spider leaping, twirling, jumping. Creating a miracle of language. Something that's intricate and fragile at once. A thing puzzling and wondrous.I've been carrying a book around in my book bag that is just as strange and beautiful as a dewy spiderweb. Matthew Gavin Frank's Preparing the Ghost, a 282-page meditation on the giant squid, Moses Harvey (the first man to photograph it), monomaniacal obsession (think Captain Ahab chasing a Moby-Dick with tentacles), death by chocolate ice cream, a fatal Chicago heat wave, a grandfather's saxophone legacy, and an Insectarium. Listed like this, these topics seem like dots of paint on a pointilist canvas. But, stepping back, and back, and back, the book becomes an impressionist landscape of our deepest passions.Frank does not lay out his story easily. Like Charlotte the spider, he plays out his lines slowly, weaving his threads together. The reader gets passages of prose poetry mixed with lists of arcane fact. The result is a blend of reality and myth that questions the very fabric of narrative:Myth as quite possible.
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