Hardcover: 208 pages
Publisher: Rocky Nook; 2 edition (December 10, 2012)
Language: English
ISBN-10: 1937538060
ISBN-13: 978-1937538064
Product Dimensions: 8.8 x 0.7 x 11.2 inches
Shipping Weight: 3 pounds (View shipping rates and policies)
Average Customer Review: 4.6 out of 5 stars See all reviews (14 customer reviews)
Best Sellers Rank: #271,666 in Books (See Top 100 in Books) #22 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Color #112 in Books > Arts & Photography > Other Media > Digital #389 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Reference
Update for the second edition: 17 November 2012This review covers just the new material in this second edition, which is the English translation of the German third edition. I commend the reader of this review to my detailed review of the first English edition (2007), elsewhere on .com. The content of this new edition is identical to that of the first except for some new topics, some reorganization of the sixth section, and the addition of two new sections. I did not do the translation of the new material. "Identical" is not quite correct. From his first German edition to this one, the photos he uses to introduce each section change and are almost reason enough to own each edition. They are excellent and beautiful.In the sixth section, "Using the Tools," Mante has inserted a chapter on visual aspects of the square format. From this same section, he has broken out the chapters on photographing sequences and series into their own two chapter section. Lastly he has added a new, eighth section on analyzing images to discern their elements, universal contrasts, and color contrasts.This last section reminds me of the presentation in his Van Nostrand Reinhold books in English from the 1970s and is an important addition to the content of the 2007 edition. This new section should be several times longer, or given more chapters. It shows in schematic manner, using both a color and B&W rendering of each image along with small thumbnails, how a shooter or viewer can start training oneself to see the components of an image's, or potential image's visual structure. The thumbnails identifying the main color contrasts do not indicate where in the image such contrasts are, but they do encourage the viewer to search for them in the main image.
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