Paperback: 160 pages
Publisher: Amphoto Books; Revised edition (October 1, 2003)
Language: English
ISBN-10: 0817441816
ISBN-13: 978-0817441814
Product Dimensions: 8.2 x 0.4 x 11 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review: 4.5 out of 5 stars See all reviews (223 customer reviews)
Best Sellers Rank: #52,361 in Books (See Top 100 in Books) #4 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Color #43 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Equipment #60 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Reference
Learning to be a photographer is about more than focusing and exposure. One of the most important and difficult things is learning what to take a picture of, and then designing an image that expresses something about its subject. Many authors of photography books talk about teaching the photographer to see. I think of that as being the process of selecting a subject and then deciding how it should look to capture the photographer's vision of it. Bryan Patterson promises to teach that in the revised edition of "Learning to See Creatively". Unfortunately, he doesn't keep his promise.It's not that this is a poor book. The author talks about the elements of photographic design like line, shape, form, texture, pattern and color. Unfortunately he doesn't link these elements to the photographer's vision. It's as if one knew nothing about tools, had a plumbing problem, and was presented with a wrench. It would be nice to be told how to use the wrench to solve the problem. If you know how to relate the tools to the problem, you don't need this book.He also talks about composition and guidelines like the rule of thirds, or frame within a frame. But even here, he doesn't make the connection to vision. Even the chapter called "Expanding Your Vision" turns out to be a discussion of the characteristics of lenses of different focal lengths.There are chapters on digital photography and photographic careers but they look like they were added on to the work because somebody thought that was what would help the book sell.Peterson's photographs are good. When he explains why he made the design and composition choices for a particular picture you can see some relationship of technique to vision.
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