Hardcover: 128 pages
Publisher: Angel City Press (July 25, 2003)
Language: English
ISBN-10: 1883318289
ISBN-13: 978-1883318284
Product Dimensions: 9.3 x 9.3 x 0.7 inches
Shipping Weight: 1.7 pounds
Average Customer Review: 5.0 out of 5 stars See all reviews (29 customer reviews)
Best Sellers Rank: #824,885 in Books (See Top 100 in Books) #47 in Books > Arts & Photography > Performing Arts > Theater > Puppets & Puppetry #746 in Books > Humor & Entertainment > Humor > Comedy #2277 in Books > Biographies & Memoirs > Arts & Literature > Television Performers
It has been said a book about ventriloquists could never attract interest beyond the small clique of ventriloquists practicing the quirky art today. A major publisher's book would more likely be a "best smeller" than a "best seller," with little "cross-over" (non-ventriloquist) appeal -- a nostalgia piece with little relevance to modern day generations. They said it couldn't be done. And DreamWorks' animation maven Kelly Asbury, author of Dummy Days, has proven them totally WRONG. Dummy Days matters-- and it works on every level. Dummy Days is a book with INCREDIBLY wide appeal. In wonderful, painstaking detail, Asbury takes you through the lives of the 20th century's greatest "belly talkers" Edgar Bergen, Paul Winchell, Jimmy Nelson, Senor Wences, and Shari Lewis. Lovingly crafted bios of these five performers (plus mini-bios on variety show host Ed Sullivan and legendary dummy builder Frank Marshall) make you feel you actually KNOW them personally, and you learn surprising never-before-disclosed details about them and the evolution of their acts. But the underlying and skillfully developed subtext is the entertainment industry's brutal, take-no-prisoners evolution through the early to mid-late 20th century and how top "vents" adapted to it, then largely vanished from mainstream entertainment media's radar screen once Sullivan's landmark CBS TV show (a vaudeville show) was canceled in 1971. Dummy Days is a book about highly-adaptable performers' sometimes roller-coast-like lives -- but it's also a vital entertainment history book. This makes it of interest not only toventriloquists and aspiring ventriloquists, but to ANYONE seeking to understand modern entertainment's roots -- from vaudeville, to radio, to vaudeville-influenced early TV.
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