Paperback: 320 pages
Publisher: Simon & Schuster; Reprint edition (June 10, 2014)
Language: English
ISBN-10: 1476727759
ISBN-13: 978-1476727752
Product Dimensions: 5.5 x 0.9 x 8.4 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review: 4.3 out of 5 stars See all reviews (72 customer reviews)
Best Sellers Rank: #315,651 in Books (See Top 100 in Books) #65 in Books > Business & Money > Industries > Sports & Entertainment > Entertainment #118 in Books > Humor & Entertainment > Movies > Industry #128 in Books > Business & Money > Industries > Performing Arts
Lynda Obst has pretty impressive credentials, from starting out a in development with Geffen going on to produce some very notable films from the 1980s up to fairly recently. She now serves as the Executive Producer on "Hot in Cleveland" and that show's sensibilities about Hollywood give some knowing nods as to how Obst feels about the entertainment industry. With "Sleepless in Hollywood" she provides a concise synopsis of what's going wrong in Hollywood, a change she saw unfolding over the past decade, and how those changes are fundamentally altering the entertainment business. As online and streaming video have gained a greater share of the market, along with piracy and file sharing, the DVD market has collapsed just as it did with CDs for the music industry. As the studios lost this stable and predictable revenue stream it created huge problems for them. As a result studios opted to be more cautious, skewing towards known quantities: remakes, sequels, prequels, rehashing television shows as movies, reboots, origin stories, and the like. And since a significant portion of revenue now comes from overseas ticket sales films had to be dumbed down and the humor made more broad so as to appeal to a broader swath of viewers in different societies. Smart, witty, urbane comedies are out, relegated to the realm of independent outlets, the big studios started making fewer films, and the pressure was on to make sure every film was a hit through relentless marketing, tie-ins, and product placement. The result is we don't get great original movies like we used to years ago and the industry is starting to slowly commit suicide on an endless repetitive cycle or rehashing old ideas.
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