Paperback: 144 pages
Publisher: Atlantic Publishing Group Inc. (October 30, 2009)
Language: English
ISBN-10: 1601383908
ISBN-13: 978-1601383907
Product Dimensions: 10.8 x 8.4 x 0.4 inches
Shipping Weight: 1.2 pounds
Average Customer Review: 4.4 out of 5 stars See all reviews (22 customer reviews)
Best Sellers Rank: #2,074,235 in Books (See Top 100 in Books) #77 in Books > Arts & Photography > Photography & Video > Black & White #596 in Books > Arts & Photography > Photography & Video > Nude Photography #1048 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Digital Editing
I bought the book because I have been a landscape photographer for many years but am interested in doing some studio and, possibly, outdoor nudes. Based on it's title and subtitle, I had some hope that this would give me specifics on lighting issues, posing/cropping and issues of correctly representing the human skin tones in a film photograph. Unfortunately, this did not help a lot on most of the above.Pros: It has quite a few ideas on posing the model (by example pictures) and, if you are a digital photographer, how to correct skin tones in Photoshop. How good this info was is hard for me, a film shooter, to tell.Cons: It is particularly unhelpful in lighting issues in that it has no diagrams of lighting (either studio or outdoors). Other books, I consider more helpful, have diagrams of specific lighting & placement used along with the example photographs. While this book hinted at some of this lighting info. for the studio, I still had to infer a lot about how many lights were used and their specific placement. On outdoor lighting, quotes like "be mindful of the sun" really did not help me at all. He did talk about using strobe to "fill" outdoor scenes but, again, no diagrams as to where to hold it to get a specific effect shown in the example photgraph.It did not talk at all about how to work with skin tones in black & white film shooting despite the fact that he indicates film is included in the book's perview and he used film in several of the shots in the book. (I had to find info on what filters to use to help with this in other books.) I guess the author assumes you can always "fix it in Photoshop" although, as best I can tell, he does not cover what to do with a scanned negative from b&w film; only digital color capture.
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