Paperback: 336 pages
Publisher: Random House Trade Paperbacks; Reprint edition (February 12, 2013)
Language: English
ISBN-10: 9780812985047
ISBN-13: 978-0812985047
ASIN: 0812985044
Product Dimensions: 5.2 x 0.8 x 8 inches
Shipping Weight: 8 ounces (View shipping rates and policies)
Average Customer Review: 4.3 out of 5 stars See all reviews (197 customer reviews)
Best Sellers Rank: #24,513 in Books (See Top 100 in Books) #19 in Books > Business & Money > Industries > Retailing #25 in Books > History > Europe > Great Britain > England #45 in Books > Biographies & Memoirs > Historical > Europe > Great Britain
This is a fascinating account of the life and times of Harry Gordon Selfridge. It covers not just his career, but the changing fashions and world events that accompanied it, and the twin passions that fuelled his existence, and led ultimately to his downfall. The author lays bare Harry's double life; he was a widower with four children, and always appeared to be a very correct Edwardian gentleman. He never exercised droit de seigneur in the store, but his private life was a different matter, and the story is peppered with the names of showgirls on whom he lavished his affections, and showered with gifts.Lindy Woodhead is an excellent guide on matters sartorial and cosmetic, but when it comes to the showbiz side of the story she is less assured. In 1910, we're informed, the public was dancing to big-band music, then buying phonograph wax cylinders to play the music at home (soon superseded by pressed discs in cardboard sleeves, courtesy of Columbia Records). In reality, the big-band genre did not appear for a further two decades, and the wax cylinder was already losing ground to the gramophone record by the turn of the century. Sleeves appeared around 1910 with the introduction of double-sided 78s, but the cardboard ones came courtesy of the retailer, manufacturers like Columbia and HMV provided paper sleeves.On the subject of records, whilst it's true that sides for the Key label, which is mentioned on page 211, were selected by Christopher Stone and pressed by Decca, it's stretching a point to say that these were the top dance band hits of the day, recorded under the store's own label. The label used masters from Panachord and Winner, and only about thirty were issued, during 1933/34, usually under pseudonyms.
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