Series: Associated Press Handbooks
Paperback: 224 pages
Publisher: McGraw-Hill Education; 2nd edition (November 20, 2000)
Language: English
ISBN-10: 0071363874
ISBN-13: 978-0071363877
Product Dimensions: 7.2 x 0.5 x 9.2 inches
Shipping Weight: 13.4 ounces (View shipping rates and policies)
Average Customer Review: 4.0 out of 5 stars See all reviews (30 customer reviews)
Best Sellers Rank: #81,146 in Books (See Top 100 in Books) #7 in Books > Textbooks > Humanities > Library & Information Science #8 in Books > Sports & Outdoors > Miscellaneous > Journalism #8 in Books > Arts & Photography > Photography & Video > Sports
"Associated Press Guide to Photojournalism", Brian Horton, McGraw-Hill NY, 2nd. ed. 2001, ISBN 0-07-136387-4, SC 223 pgs.Sports photo editor at A-P since 1971, Horton has many credits including 2 books on news photography. This text explains PJ (picture story) - how a photographer "sees the story" is a skill requiring experience, insight, anticipation, inventiveness, & a passion. Often "breaking stories" are heavily covered & many photos require sensitivity, rapport, knowledge of equipment so to acquire a style using composition, cropping & those angles to communicate photo stories of news, emotions, life experiences, etc.Horton quotes an A-P policy adopted in 1990 indicating "the content of a photograph will never be changed or manipulated in any way". Horton then goes on to recite of some widely published photos with recognized manipulations & public outcries leading to general distrust of media by the populace (& rightly so!). Indeed, even cropping can be viewed as manipulation, the latter generally a product of Madison Avenue influences that shouldn't reflect PJ integrity (need for well insulated photo editors).Relying on "photo setups" can numb public's perceptions & lessen reality. Telephoto lenses as 80-200 zoom provides close-ups without intrusion despite an onerous sanctifying of 24 mm wide-angle to fill the frame by getting into the subject's face & personal space. Author interviews 8 pros on their perspectives & experiences in PJ & then concludes with a short summary of some changes in photography over the past half-century, namely the gradual switch from 4"x5" to 2 1/4" to 35 mm to color & now electronic (digital) imaging.As a former newspaper photographer I'd been taught a good PJ shot did not require a title.
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