Series: A Lark Photography Book
Paperback: 160 pages
Publisher: Lark Books (July 1, 2008)
Language: English
ISBN-10: 1600592090
ISBN-13: 978-1600592096
Product Dimensions: 9.2 x 8.3 x 0.5 inches
Shipping Weight: 1.2 pounds
Average Customer Review: 3.2 out of 5 stars See all reviews (6 customer reviews)
Best Sellers Rank: #1,690,981 in Books (See Top 100 in Books) #80 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Flash Photography #416 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Lighting #909 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Digital Editing
It seems strange that the best book around for a long time about flash photography was published in 1997, before the full scale invasion of digital cameras and super-smart flash units. That's the need that "Mastering Digital Flash Photography" is aimed at filling.The first chapter deals with basic issues like the nature of the lighting systems available, and the second with the nature of light itself. The author then considers fill flash (the use of flash to supplement ambient light), low light flash and studio flash. The author finishes by discussing computer techniques that can be used to improve pictures captured with flash.This book serves as an excellent introduction to the subject of flash photography, and will prove extremely useful to the individual with little or no experience with flash. (On the other hand, George does assume that the reader understands basic photography skills like exposure and digital post processing.) However, I sometimes felt that the author generalized a bit too much for an instruction manual and could have placed more emphasis on certain subjects. For example, he quite properly points out that a picture taken with fill flash is the combination of a picture at a slower speed with ambient light and a picture at higher speed with flash. I would have liked him to give more emphasis to the fact that this can sometimes create problems (as well as opportunities) by giving a moving subject blurred edges. I would also have liked to see more emphasis on the use of multiple portable flashes, given the facility for wireless control, like that of Nikon's CLS system, which modern flashes provide.I also felt that drawing a sharp distinction between portable flash units and studio strobe lights was not necessary.
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