Paperback: 1056 pages
Publisher: McGraw-Hill Education; 8 edition (April 13, 2011)
Language: English
ISBN-10: 0073386170
ISBN-13: 978-0073386171
Product Dimensions: 7.1 x 0.9 x 9.4 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review: 4.2 out of 5 stars See all reviews (31 customer reviews)
Best Sellers Rank: #92,013 in Books (See Top 100 in Books) #23 in Books > Arts & Photography > Performing Arts > Theater > History & Criticism #51 in Books > Humor & Entertainment > Movies > Theory #77 in Books > Textbooks > Humanities > Performing Arts > Film & Television
The Art of Watching Films, by Dennis Petrie and Joe Boggs, is one of the poorest textbooks I've come across. While the sections dealing solely with the technical aspects of filmmaking are sound (aspect ratios, shot descriptions, etc.), the rest of the book presents its readers with either blatant misinformation or author bias disguised as fact. For an example of the former, Let's take a look at this excerpt from p. 45: "Flash-forward, a filmed sequence that jumps from the present into the future, has been tried in such films as Easy Rider, They Shoot Horses, Don't They? and Love! Valour! Compassion!, and at the end of the HBO series Six Feet Under. It is doubtful whether this device will ever gain widespread acceptance." This rather bold declaration will surprise anyone who's ever seen Goodfellas, Citizen Kane ("Merry Christmas..."--twenty-year flash-forward--"...and a Happy New Year!"), Breaking Bad, Forrest Gump, American Me, and Backdraft, just to name a few. To say it's "doubtful" that the flash-forward--one of the oldest and most common cinematic storytelling techniques--may not "ever gain widespread acceptance" isn't just incorrect--it's conspicuously, obviously incorrect. Other mistakes are even more bizarre, suggesting that the authors may not have even seen some of the films they reference. In a section on types of stories, Petrie and Boggs give examples of "The Way Things Never Were And Never Will Be." Here's what they say about fantasy films: "By using their special brand of artistry, filmmakers can create on the screen an imaginary world that makes us willingly accept incredible settings, characters, and events in such films as Edward Scissorhands, Be Kind Rewind, Ratatouille, and In The Loop.
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