File Size: 10806 KB
Print Length: 232 pages
Publisher: Michael Wiese Productions (October 30, 2013)
Publication Date: January 1, 2014
Sold by: Digital Services LLC
Language: English
ASIN: B00H03VH0W
Text-to-Speech: Enabled
X-Ray: Not Enabled
Word Wise: Enabled
Lending: Not Enabled
Enhanced Typesetting: Enabled
Best Sellers Rank: #326,173 Paid in Kindle Store (See Top 100 Paid in Kindle Store) #22 in Kindle Store > Kindle eBooks > Arts & Photography > Photography > Cinematography #23 in Kindle Store > Kindle eBooks > Humor & Entertainment > Movies & Video > Cinematography #81 in Books > Arts & Photography > Photography & Video > Cinematography
Attention filmmakers! Author of “Directing the Camera”, Gil Bettman, is a guy who knows what he is talking about. He has been in “the business” of making movies and TV shows in Hollywood for many years and in his new book he shares some of what he has learned. To understand the book you first must understand what “Directing the Camera” means. Anybody who has ever shot a film, a documentary video or even filmed a home movie with the family understands “directing the talent”. IE your actors, actresses or in the case of a home movie your Aunt Ethel. Directing is quite simply telling the person who is being recorded what to do. Examples of directing talent include “Pick up the knife, take three steps and stab the bad guy” or “Stop near the window, pause, and listen to the wind howl” or in the case of Aunt Ethel “Blow out the candles but make sure your dentures don't land in the frosting”.Directing the camera is essentially the same thing except now the camera angles and motion becomes part of what makes the scene interesting. In the above examples perhaps the camera is stationary but now we are going to add camera movement and that movement needs to be thought out and communicated to the actors and crew. Directing the camera!Bettman does a great job in his book “Directing the Camera”. It is broken into three parts. In part one there is only one chapter called “The Importance of Directing the Camera”. He discuses just that. It is only a few pages. Part two and three are the meat of this book. Part two is called ”Shooting dialog sequences with a moving camera”. He goes into great detail on how to move your camera during what, in many films, become boring talking head scenes.
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