Hardcover: 288 pages
Publisher: Reaktion Books; First Edition edition (November 12, 2014)
Language: English
ISBN-10: 1780233582
ISBN-13: 978-1780233581
Product Dimensions: 6.8 x 1.1 x 8.7 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review: 4.8 out of 5 stars See all reviews (5 customer reviews)
Best Sellers Rank: #171,613 in Books (See Top 100 in Books) #12 in Books > Arts & Photography > Performing Arts > Theater > Circus #5907 in Books > History > World #15316 in Books > Humor & Entertainment
This is an excellent book, but the title is somewhat misleading. The book has a lot of circus history, but it is by no means complete. You'll pick up a lot of circus-related information. George Washington was a repeat customer of the first American circus in 1793. Picasso's first lover was a trick rider and his first art dealer, a former clown. Alexander Calder (inventor of the mobile) made toy circus figures and then on his hands and knees would manipulate them as a performance--audiences loved it.Simon breaks down the circus into 10 chapters that includes the development of circuses like Ringling and Barnum Bailey, but the strength of the book is looking at the kinds of acts that go into a circus, and these chapters include some remarkable stories of iconic and not so famous performers. These include Chapter 4, Cavalcades, on the era of circus parades. Chapter 5, Without a Net, looks at rope acts, high wire acts and related, including such artists as Blondin.. Chapter 6, Beasts, is on animal acts, particularly big cats and "lion tamers." Chapter 7 Clowns, looks at how clowns developed and at some of the major artists such as Oleg Popov and Emmett Kelley. Chapter 8 Feats, looks at strong men (and women), acrobats, contortionists, jugglers and others. Chapter 9, Prodigies, looks at sideshow elements such as the bearded lady and three legged boys, and may be the best chapter in the book--apparently, the circus provided a sense of acceptance and larger family for people who'd not have done so well elsewhere. The book is nicely illustrated.The other chapters are less focused. Chapter 10 "Transformations," looks ate the present and evolving future of the circus and while brief, the rise of shows like the Cirque du Soleil.
Linda Simon's book, "The Greatest Shows on Earth: A History of the Circus" is a remarkably readable, entertaining, thoroughly researched, and historically accurate discussion and investigation of the history and development of the circus. This type of mesmerizing, daring, and dedicated entertainment is wonderfully discussed, tracked, and cataloged in 10 chapters and 136 attractive and carefully chosen illustrations. This fascinating and unique study presents the circus as a historical document of the ideals, desires, and expectations of a given time period. Since the time of ancient Egypt, Greece, Rome, and medieval European fairs and marketplaces, the celebration of "human superiority and vulnerability" has always been a focal point.When such "common experiences" were eventually expanded into a distinct, enclosed, directed place of action, the circus developed greatly as an exciting business and romantic occupation. The spontaneity of street entertainment became increasingly localized as a significant community ritual. The circus provided endless diversions for the audience and endless possibility for professional recognition for the performers. So the circus as an exhibition of similarities and differences between cultures truly made it the ideal arena that "represented the world."The author's first hand accounts of the organization of circus life behind the scenes and in the center of the action, provides many insights on how the "greatest shows on earth" were structured, implemented, and perceived. The author proves that the circus art form began as personal experiment. A given performer wished to test the limits of his or her skill and body. In fact, the premise of the book substantiates that "the body as spectacle is the origin of the circus.
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