Paperback: 448 pages
Publisher: Bloomsbury Academic (June 15, 2008)
Language: English
ISBN-10: 0826428584
ISBN-13: 978-0826428585
Product Dimensions: 6 x 1.1 x 9 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review: 4.5 out of 5 stars See all reviews (24 customer reviews)
Best Sellers Rank: #483,925 in Books (See Top 100 in Books) #312 in Books > Arts & Photography > Performing Arts > Theater > History & Criticism #587 in Books > Arts & Photography > Performing Arts > Theater > Acting & Auditioning #628 in Books > Textbooks > Humanities > Performing Arts > Theater
A great book for beginning and advanced improvisors that explains exactly what the mechanics are of the authors' interpretation of the Keith Johnstone school of improvisation, and for that it deserves 5 stars. But the authors deeply misunderstand and arrogantly dismiss the entire Chicago/Del Close school of improv, under the guise of Keith and Del being equally valid methods.At the beginning they explain that there are differences and that they'll give fair treatment to both, but then proceed for several hundred pages to denigrate the Chicago school for reasons that are invalid, and which shows they have limited understanding of what they're talking about. It's as if those parts were added late in the book's development when someone noticed that "ultimate" really only meant "half ultimate".An example of bias can be found in the short interviews at the end where of all the wise words of Keith Johnstone (who they label "The Innovator") they could have used, they instead focus on Keith saying that Del's work doesn't particularly fit with his views on improvisation (my paraphrasing). It doesn't help that they then included an interview with the mildly dismissive Charna Halpern (who they by comparison label simply "The Keeper of the Harold"), with questions based on misunderstandings of Del's teachings.To their credit they do try to explain some Chicago techniques, but there's a lot of misunderstandings. At one point they talk abut "game" being a core Harold concept, taking it from the book "Truth in Comedy", thus confusing the UCB which focusses on game as the core of a scene, and iO and other Chicago schools which consider it just another tool in your kitbag.
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