File Size: 31733 KB
Print Length: 256 pages
Simultaneous Device Usage: Up to 5 simultaneous devices, per publisher limits
Publisher: New Riders; 1 edition (October 21, 2014)
Publication Date: October 21, 2014
Sold by: Digital Services LLC
Language: English
ASIN: B00OQFS2AA
Text-to-Speech: Enabled
X-Ray: Not Enabled
Word Wise: Not Enabled
Lending: Not Enabled
Enhanced Typesetting: Enabled
Best Sellers Rank: #404,711 Paid in Kindle Store (See Top 100 Paid in Kindle Store) #156 in Kindle Store > Kindle eBooks > Arts & Photography > Photography > Equipment #374 in Books > Arts & Photography > Photography & Video > Equipment, Techniques & Reference > Digital Editing #395 in Kindle Store > Kindle eBooks > Arts & Photography > Photography > Digital Photography
This isn't a book about photography, this is a book about seeing. I've done a couple of workshops with Jay, and this book reflects his teaching focus. I've never heard him talk about image noise, f-stops, shutter speed, or any of the technical things that most photography books focus on, other than dismissively. "If people are talking about the noise in a photograph, it's a crappy photograph." Yeah, that simple. Overall his message is that seeing is the most important part of creating great photographs, all the rest of the technical stuff isn't worth spending time talking about because it's pretty easy. Crazy? I don't think so - every professional photographer I've met who's taken a workshop or class with Jay identifies that workshop as the key turning point in their development as a photographer.In his workshops, he's always done a lecture called "Light, Gesture, Color". In the workshops I did, at the end of the hour when the lights were turned on, the room was still and silent for a very long time. The Brits have a great word for how we felt - "gobsmacked." He was just showing photos of his, and casually talking, as each image came up, he'd say some short phrase or sentence, in the imperative, before casually talking about the image. Seemed conversational, but it wasn't - it was a very carefully structured set of lessons in understanding how light, gesture, and color work, how they make great or ho-hum photos, and how to see and understand what's going on. The density of information is what caused the long silence at the end, and the same is true here.If you just casually flip through the pictures and read the few sentences with each, you'll think, "huh?
It's important to be clear that this is fundamentally a book about Jay Maisel. Yes, it's ostensibly presented as a photographic self-help book of tips and guidance. It is. But its morsels of candy are each tightly wrapped within Jay's personal anecdotes. It's not enough for Jay to simply say, for example, "Be aware that colors shift as outdoor light shifts.". No, he wraps such a message in a story about a time from the 1970's when he was on his way to photograph some commercial project and discovered that ...." That is, this books is primarily about its author and secondarily about photography. Take it or leave it, but that's the way it is.I chose to take it. I've long stopped buying or reading photo self-help books. But books presented by someone like Jay Maisel whose work I admire and who was a professional photographer for so many years are hard for me to pass up. I glad I didn't.I have never personally met Jay Maisel (darn it) but my impression from his photos, his writings, and a few videos is that he is (a) quite a secure fellow, and (b) not shy. Nothing in "Light, Gesture & Color" shakes my impressions. Jay's photo work is distinctively straight-forward, not generally multi-layered and often boldly graphic with strong color fields bounded by sharp forms and lines. His is not nuanced conceptual work; it's in-your-face and what-you-see-is-what-it-is. He's a master of seeing such scenes in the everyday world around him."Light, Gesture & Color" attempts to decompose the elements of Jay's image style into characteristics that can be redeployed to nearly any other type of imagery. Chapters are very short, often only a few short paragraphs accompanied by an example image. Sometimes the examples support the topic, sometimes not.
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