Paperback: 388 pages
Publisher: Museum 2.0; First Edition (US) First Printing edition (March 2, 2010)
Language: English
ISBN-10: 0615346502
ISBN-13: 978-0615346502
Product Dimensions: 6 x 0.9 x 9 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review: 4.7 out of 5 stars See all reviews (25 customer reviews)
Best Sellers Rank: #63,543 in Books (See Top 100 in Books) #10 in Books > Business & Money > Industries > Museums #15 in Books > Politics & Social Sciences > Social Sciences > Museum Studies & Museology #1020 in Books > Education & Teaching > Schools & Teaching > Education Theory
In The Participatory Museum, Nina Simon argues that the social web has changed the way that people relate to one another and the world, and makes a case for introducing participatory design to cultural institutions.The Participatory Museum offers compelling real-life examples and case studies of cultural institutions that have adopted new media strategies to help fulfill their institutional missions. These new media strategies do not always (and often do not) take place on the web. Rather, Simon is concerned with gleaning knowledge from web and new media interactions, and apply this knowledge to the real world.Simon looks for inspiration in unexpected places. The case studies and examples that Simon cites are not limited to the museum world nor even to cultural institutions. She broadens her case studies to include for-profit corporations. including Netflix, Nike, and Harrah's Casinos.Translating the participatory nature of social media to a museum sounds like a great idea. But as Simon is quick to acknowledge, this process is harder than it sounds. So how can museums design good participatory experiences? The bulk of the book is devoted to answering that question, so I will just briefly summarize some of Simon's most compelling points.First, Simon acknowledges that not everyone WANTS to participate. For this reason, Simon suggests that participatory techniques should only be one of the interpretive techniques used by a museum.Second, even when people do want to participate, they will participate in different ways.Third, the use of cutting-edge technology is not neccessary to build a good participatory experience. Some of the options that Simon explores are decidedly low-tech.
The Participatory Museum Alejandro Aravena: Elemental: Incremental Housing and Participatory Design Manual Artificial Hells: Participatory Art and the Politics of Spectatorship Facilitator's Guide to Participatory Decision-Making (Jossey-Bass Business & Management Series) How the Sphinx Got to the Museum (How the . . . Got to the Museum) How the Dinosaur Got to the Museum (How the . . . Got to the Museum) Recoding the Museum: Digital Heritage and the Technologies of Change (Museum Meanings) Museum Making: Narratives, Architectures, Exhibitions (Museum Meanings) The Educational Role of the Museum (Leicester Readers in Museum Studies) Best Pictures of Paris: Top Tourist Attractions Including the Eiffel Tower, Louvre Museum, Notre Dame Cathedral, Sacre-Coeur Basilica, Arc de Triomphe, the Pantheon, Orsay Museum, City Hall and More. Fitzwilliam Museum, Cambridge: Catalogue of Casts in the Museum of Classical Archaeology (Classic Reprint) The Case of the Missing Museum Archives (Museum Mysteries) Begin with the Past: Building the National Museum of African American History and Culture The Art of the Louvre's Tuileries Garden (High Museum of Art Series) Light Is the Theme: Louis I. Kahn and the Kimbell Art Museum Filoli: Family Home; Historic Garden; Living Museum Civilizing the Museum: The Collected Writings of Elaine Heumann Gurian Andy Warhol 365 Takes: The Andy Warhol Museum Collection Georgia O'Keeffe Museum Collection Exhibiting Cultures: The Poetics and Politics of Museum Display