Hardcover: 349 pages
Publisher: Phaidon Press; 2 edition (June 13, 2011)
Language: English
ISBN-10: 0714862126
ISBN-13: 978-0714862125
Product Dimensions: 11.2 x 1.5 x 15.4 inches
Shipping Weight: 7.8 pounds (View shipping rates and policies)
Average Customer Review: 4.4 out of 5 stars See all reviews (9 customer reviews)
Best Sellers Rank: #679,557 in Books (See Top 100 in Books) #68 in Books > Arts & Photography > Photography & Video > Individual Photographers > Essays #221 in Books > Arts & Photography > Photography & Video > Criticism & Essays #313 in Books > Arts & Photography > Photography & Video > Photojournalism & Essays > Photojournalism
A few days after 9/11, Joel Meyerowitz --- famed for landscapes of extreme beauty and serenity --- went to the site of the World Trade Center. He talked his way into the "pile" and set up his large-format wooden view camera. He often got thrown out; he'd scurry around to another entrance and slip in again. Some officials were obnoxious. Some tolerated him. A few understood that he represented almost the only chance at an ongoing record and befriended him.He stayed there, day and night, for eight-and-a-half months, until the workers left and only a clean, empty hole remained. He took 8,500 pictures.In 2002, my wife and I went to a show of this work. Like most people, we walked through the exhibit in stunned silence. The images were completely brutal and oddly beautiful, challenging beyond our immediate ability to respond. To look at them --- any of them --- took you back to that day, and what you felt, and the people you lost.That's a lot to deal with.In 2002, I couldn't. And it didn't end. I couldn't read about 9/11. Couldn't watch the movies. It wasn't that I needed to push 9/11 out of my head --- I just needed to hold it in my mind in my own way. And I didn't have a language to do that.In 2006, Meyerowitz published "Aftermath: World Trade Center Archive." It's massive -- 15" x 11" pages, some double-spread, some that fold out. More than 400 pictures. 340 pages. Eight-and-a-half pounds.Ah, if only they weighed that little on the heart."Aftermath" starts, as it should, with "before" pictures, taken from Meyerowitz's studio. Architecturally, these were not distinguished buildings, but Meyerowitz gives them symbolism and grandeur.
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